Sigma 85mm f/1.4 DG HSM Art Lens
Sigma 85mm f/1.4 DG HSM Art Lens

Here comes the long awaited prime lens from the art line, which is the Sigma 85mm F1.4 DG HSM ART. It incorporates 14 lens elements in 12 groups, which is a remarkable optical structure in its class.

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If I decided to stick with DSLR camera systems, then I’d most likely do this if I was going for a higher megapixel body. Indeed, the sharpness is very good and most users will be more than pleased with the results. There was no hesitation or need to manually focus the lens. But when mounted, it’s fairly simple to work with in terms of manageability. Personally, I detest the term “crop sensor” because it isn’t cropped; it’s just different. But the Zeiss does indeed have actual metal as part of its construction. It has no weather sealing and its focusing ring is smooth. I used it to photograph a police color guard at a flagpole dedication ceremony on Veterans Day and was pleased with the results, especially with the crisply rendered details in the officers’ uniforms. The Sigma has been said to have autofocusing issues as well. The sharpness is very good, though it seems like the lens vignettes a bit. As a portrait lens, it’s hard to beat and the slight vignetting when shot wide open won’t bother most portrait photographers who probably add vignetting to their images via Photoshop anyway. The lens also comes with a nice soft case that Sigma includes with many of its lenses. Once properly calibrated to your camera, this little gem will astound you with its performance wide open. Unless your camera is on a tripod, you’re bound to throw your own plane of focus off. In this case it appeared to be a one-quarter stop on the left edge of the frame and almost a one-half stop on the right-hand side. Color rendering from this lens is also still very accurate. That does wonders for skin and clients such as actors will appreciate this. Despite my gripes about how big and heavy it is, the end result is arguably worth your time and the pain in your hands afterward. Using this focal length is leaps and bounds easier than working with the Zeiss and needing to manually focus. It has a bit of weather resistance–probably just as much as the Sigma does.

Portrait Lens Review: Sigma 85mm f1.4 Art (Canon EF)

When firing wide open, I was also careful not to use the focus and recompose method because otherwise the focusing would have been thrown off entirely. That means that there’s less grippy area, but it’s in more spread out parts of the lens. The quality of the images produced belies what is, compared to other fast portrait lenses, a modestly priced lens for that fast aperture. There is by no means anything wrong with the image quality. At higher megapixels, you start to see the flaws of the older version, but the newer one exudes an image quality that is truly unbelievable. Though Sigma doesn’t straight up say that the lens is weather sealed, it incorporates some protection in the form of rubber gaskets that help keep the camera it’s attached to and the lens itself secure from the elements. In recent years, I’ve tested and enjoyed shooting many of the newer Sigma lenses, including ones available for Micro Four Thirds cameras, and the quality of these lenses has been superb. Its focusing ring is smaller and it has a working aperture ring. Mini HD SDI 1080P Surveillance. The jet black with white accent color scheme has become expected from Sigma, and this lens doesn’t disappoint.

Sigma Rumors | Art Lenses, Foveon Cameras, and More

We’ve reviewed both the Sigma and Canon lenses, and thought very highly of both. Nor did focusing speed really matter so critically in this case because of the fact that my subject was stagnant while I posed him. There is very little that will make me want to not award this lens the Editor’s Choice award that it so easily deserves Portrait photographers often find themselves in a bit of a predicament trying to figure out what lens is the right one for them. In real life practice though, the Sigma was still able to keep up its pace. During the more-compressed-than-normal availability of this lens, I arranged to photograph two different models but both were no-shows on the scheduled day. Image Quality– To be very honest, most people won’t be able to tell the difference between both lenses unless the differences are explicitly stated. Canon’s lens vignettes less wide open though can exhibit more color fringing. Sigma’s lens is usually more prone to focusing issues. It feels beefier and much more solid than its Canon counterpart. If you would like to purchase any of the items mentioned, please do so by clicking our links first and then purchasing the items as we then get a small portion of the sale to help run the website To minimize aberrations, lens construction uses two special Low Dispersion glass elements, one anomalous partial dispersion/high-refractive index element and one aspherical element. I was able to persuade my wife Mary to pose; first for a series of images shot in the studio and then for available light portraits shot made using only window light in our dining room. The focus ring grip feels essentially like many of the other Sigma Art lenses. It’s beautiful, creamy, and incredibly pleasing overall. If you absolutely want to stick to using DSLR cameras, then this is a must-buy lens. Though there is usually color fringing with this lens when shooting wide open, I didn’t experience any during this shoot. If you’re one of those people who don’t like straps, well that’s your call. But holy crap, is it huge! Pros and Cons A bit of weather sealing, though not much Superb sharpness Beautiful bokeh Lots of micro contrast After working with mirrorless cameras for so long, I don’t really want to carry something this ginormous around. Additionally, Sigma has this big beefy manual focus ring that provides a whole gripping area for your hand. There’s a brass bayonet mount on that part of the lens that gets the most and hardest use. The autofocus on the Sigma is pretty snappy with both new and older Canon cameras, so if you’re shooting portraits with this lens you really shouldn’t have a whole lot to worry about. I’m always trying to change up my approach to shooting vehicles at the monthly Cars and Coffee event so I shot this Olds in direct Monochrome mode. If you’re shooting in an environment with flash and using daylight white balance, you’ll be able to negate these issues for the most part. Chromatic Aberration Here’s where Sigma prevails again. The Sigma version comes with a special lens hood with an attachment upgrade for those using APS-C sized sensors. Sigma arguably wins here at a more affordable price point. I had no idea that the debate over which is better-“full frame” or “crop” sensor-was so heated. Once again though, this means nothing in practice with a stagnant portrait subject. It focuses quickly, has a bit of weather sealing and overall is a very strong performer. And the ultimate answer to whether or not you should upgrade really has to do with your own intentions. In Comparison Autofocusing with a lens like this is nice; and far easier to do than working with the manual focus Zeiss options at a focal length this long. It’s sad because I own the original and genuinely wondered whether or not I’d want to upgrade. You may need to do some skin smoothing when using them. I like using longer focal length lenses when photographing cars because I prefer the compressed perspective they produce. I stopped Mary before she headed out to her yoga class to pose for a few portraits. Since this weighty lens does not have image stabilization, I followed the old adage of “double the focal length” shutter speed.

Sigma 50mm f/1.4 EX DG HSM Lens for Nikon. -

The front element of this lens is impressive and, when used with the hood, is well covered with the leaf petal style hood design. Regardless, it’s still pretty darn big and only gets bigger when you attach the lens hood. But even so, you could do with a bit less saturation. If you would like to see the specific gear that’s tucked away in my gear closet, please visit joefarace.com or joefaraceblogs.com and click “Gear.”. Part of this has to do with its fast autofocus with both new and older Canon DSLRs. Color Rendition Sigma tends to saturate the skin tones a bit too much for my liking. This color guard of the Parker Police Department was standing at attention prior to marching into a Veterans Day ceremony. Real World Use Despite how large and clunky this lens is, it’s really not that bad to use. Weather-wise it was way past the sell-by date for the best possible IR subject matter but I really liked shooting the big lens with this lighter body. Autofocusing Both lenses focused very quickly during my portrait session. There are differences to both of them-but in real life practice only one is right for you. However, the differences are so minute that I can’t justify the purchase to myself in a studio environment.

Nikon 85mm f/1.4 D AF Review -

At first glance, and depending on your copy of the lens, it may not be so and the lens may need Microadjusting. Please Support The Phoblographer We love to bring you guys the latest and greatest news and gear related stuff. There is only one switch on it for going from autofocus to manual focus, so as long as you don’t touch that you’ll have no problems when trying to keep a rhythm going in the studio. It’s only when charts are put in front of you do you begin to see where the differences are.

50mm f/1.4 EX DG HSM Lens Review by Thom Hogan

My experience showed that this lens is versatile and useful for more than just portraiture. However, we can’t keep doing that unless we have your continued support. It feels almost like a medium format DSLR optic in terms of its size and build. Again though, I’m still not sure why something this gargantuan needed to be created. The one thing that’s important in night shooting is to start when there’s still some light in the sky. There was, however, some asymmetrical vignetting when shooting wide open with a full-frame DSLR. A Super Multi-Layer coating suppresses flare and ghosting but Sigma provides a lens hood at no extra cost. Sigma’s quality control seems to have stepped up their game in the recent years. Both images were shot from the same spot in the studio yet produced a completely different perspective. I would certainly use this combination of lens and body for a car photography assignment that’s away from a show or event. PlayStation 4 Slim 500GB Console -. As far as the the lens style and feel goes, this lens is right in line with the rest of the Sigma Art line. If anything you may want to tone the sharpness back a bit. Sigma has always produced lenses with fantastic bokeh and this one is no exception at all. Let me show you how much you lose or gain, depending on your point of view, in these two images of Mary shot in the studio. But if you’re buying these lenses to shoot charts, I strongly suggest you apply to DPReview. When stopped down, the lenses are near identical in real life use. It’s smaller than Sigma’s, but Sigma’s grip is nicer. Because of possible variations in lens construction, you may want to run tests with your camera to see at what specific aperture vignetting completely disappears. Real-World Tests My first stop when testing a new lens is Old Town Parker, Colorado, and while I usually shoot the gazebo I won’t bore you with photos because I have something else planned

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